THE URBAN MACHINISM TRANSLATED TO CELLULOID (1925-1936)

The urban machinism translated to celluloid (1925-1936)

The urban machinism translated to celluloid (1925-1936)

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Industrial metropolises have become an unprecedented synchronization phenomenon, which lunch boxes has been capable of captivating the imagination and influencing the culture of large city dwellers.As a result, the cinema also ended up reflecting the social awareness of the industrial metropolis as a novelty.The machine metaphors that it generated were meant to convey all the urban synchronicity through the celluloid film, whether apologetically or critically.Underlying those new outlooks on urban life, there was a legitimate sense of awe before everything that was unknown and unprecedented about the daily events taking place in a metropolis.

This study aims to identify the presence of the discourse of machinism dedicated to big Insurance cities in films of the interwar period.

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